Tag Archives: doodles

The urban psychogeographer-sketcher

Sketchers need to have their eyes open; the act of looking closely at the environment is fundamental. But we all see something different, have different styles, and draw a multiplicity of truths about the same street scene. The mantra of ‘draw what you see, not what you think you see’, has limited value, it seems to me, if it carries any implication that there is a correct version that we can all agree on. Of course it is vital to get beyond the assumptions that we ‘know’ what something looks like – but what emerges is never a ‘correct’ version but rather an unlimited number of unique drawings.

As a beginner I have been trying to ‘draw what I see’, and in the words of the urban sketchers manifesto, ‘be truthful to the scenes we witness.’

IMG_0242

 

CCI01082015
But more and more I realise that I want to draw something more. This part of the manifesto I find far more appealing: – ‘Our drawings tell the story of our surroundings, the places we live and where we travel.’ Telling a story seems to liberate me from the challenge of accurate reproduction; it catapults me forwards into new possibilities, and takes me right back to the drawings that I did years ago … and here we bump up against that word ‘doodle’ – yet again! This is what my sketchbook looks like lately – a mixture of this –

CCI03082015

 

and this…..CCI05072015

 

All this has been illuminated by my reviewing ‘Walking Inside Out’  a wonderful book edited by Tina Richardson about contemporary British psychogeography. It’s a stimulating mixture of academic and literary contributions, all emphasising the impact of the physical environment on our identity.  Where and how we live, our sense of place and belonging are all bound into our relationships with others, and make us who we are. We all have an internal psycho-social landscape.

Psychogeography encourages us to look closely at what is around us, throw away the map and explore the marginal spaces, opening our eyes to the way in which we have become habituated to surveillance, social control, privatisation and consumerism. Along the way, it is witty, playful and somewhat anarchic – I thoroughly recommend it, especially to urban sketchers with social constructionist leanings.

Psychogeographers are trying to capture the emotional resonances, the social history, the political forces that permeate the streets that they walk. Like urban sketchers, they are physically in the environment they are trying to understand, experience, and describe. It seems to me that there is an alliance here that could be very productive and creative – the urban sketcher- psychogeographer; the psychogeographical urban sketcher. Maybe I could join a group – or even start one up?

 

 

 

 

 

Advertisements

The importance of doodling

Learning to paint seems a serious project at the moment, with only the smallest signs of progress. Light relief has come in the way of doodling.

I have a long history of doodling, which has seen me through hours of staff meetings, lectures, conferences, and workshops .Talking on the phone is another great opportunity to draw patterns, fantastical landscapes, and weird animals, on whatever lies to hand. Proper drawing gets done in sketch books, which are always somewhere else when you want them. Doodles are the product of whatever is at hand – the biro and a ‘to do’ list usually. Recently I’ve been doing them whilst sitting in front of the TV. It’s that same divided attention which seems to free up the doodle line and make the viewing/listening experience so much more entertaining.

I feel as if I have been doing this for as long as I remember, and have never taken it seriously. Two things have challenged that lately. The first was posting a tv doodle on twitter and finding that quite a few people enjoyed it.buildings The second was even more puzzling.

In the art class this term I have been working on a series of small acrylic paintings of figures walking away from the viewer. More than once I have been asked what I am copying, and when say that it’s in my head, am met with ‘How can you do that? ‘as if it’s some strange talent. It’s happened often enough for me to think more about imagination. I’ve always believed that imagination is something that everyone has but not everyone develops. People who are musical tell me that of course I can sing, I just need to practice and enjoy it, and I see imagination in the same way. As a therapist I’ve always encouraged people to value and nurture their imagination, that their dreams and phantasies are significant and valuable parts of who they are, and that their creativity is precious. Yet here are people in the art class who are proficient painters telling me that they can’t produce anything ‘out of their head’ and need something to copy. What is going on here?

Copying is wired into us: It’s the bedrock of our development . All our skills from movement and language to relationships start from copying and mapping others. My granddaughter complains that I can draw better dogs than she can, and sets about copying mine – but I am confident that once she can draw ‘my’ dogs she will soon be drawing her own. But these recent experiences have made me appreciate how potentially fraught that transition is, from copying the other to creating your own version. And of course I am not just thinking about painting and drawing here.

So let’s celebrate the doodle, as one possible way to cross this bridge. It’s informality and scruffiness might be just what is need to draw out (!) our own imaginative powers.